JAMIE Poem †Poetry Course (300 Level Course)

JAMIE Poem – Poetry Course (300 Level Course) Free Online Research Papers JAMIE Poem Poetry Course (300 Level Course) When Jamie was sixteen Suddenly he was deaf. There were no songs, No voices any more. He walked about stunned by the terrible silence. Kicking a stick, rapping his knuckles on doors, He felt a spell of silence all about him, So loud it made a ringing in his ear. People moved mouths without a second escaping: He shuddered at the straining of their throats. And suddenly he watched then with suspicion. Wondering if they were talking of his faults, Were pitying him or seeing him with score. He dived into their eyes and dragged up sneers, And sauntering the streets imagined laughter behind him. Working at odd jobs, ploughing, picking potatoes, Chopping trees in the lumber woods in winter, He became accustomed to an aimless and lonely labor. He was solitary and unloqualious as a stone. And silence grew over him like moss on an old stump. But sometimes, going to town, He was sore with the hunger for company among the people And, getting drunk, would snout at them for friendship, Laughing aloud in the streets. He returned to the woods, And dreaming at night of a shining cowboy heaven Where guys crashed through his deafness, awoke morose, And chopped the necks of pine trees in his anger. Jamie is my favorite poem because it really makes me think about what we take for granted. Sight, smell and hearing we all think it is a given but some people get it taken away from them or do not receive it when their born. I don’t know what I would do with out one of my five senses. It must have been very hard for Jamie to adjust to this. Research Papers on JAMIE Poem - Poetry Course (300 Level Course)Mind TravelThe Spring and AutumnThe Fifth HorsemanThe Hockey GameNever Been Kicked Out of a Place This NiceThe Effects of Illegal ImmigrationHonest Iagos Truth through DeceptionQuebec and CanadaHip-Hop is ArtThe Masque of the Red Death Room meanings

Santiago Calatrava, Biography of the Architect Engineer

Santiago Calatrava, Biography of the Architect Engineer Famous for his bridges and train stations, Spanish modernist Santiago Calatrava (born July 28, 1951) combines artistry with engineering. His graceful, organic structures have been compared to the works of Antonio Gaudà ­. Fast Facts: Santiago Calatrava Known For: Spanish architect, structural engineer, sculptor and painter, particularly known for his bridges supported by single leaning pylons as well as his railway stations, stadiums, and museums, whose sculptural forms often resemble living organisms.Born: July 28, 1951Education: Valencia Arts School, Valencia Architecture School (Spain), Swiss Federal Institute of Technology (ETH) in Zurich, SwitzerlandAwards and Honors: London Institution of Structural Engineers Gold Medal, Toronto Municipality Urban Design Award, Gold Medal for Excellence in the Fine Arts from the Granada Ministry of Culture, Prince of Asturias Award in Arts, AIA Gold Medal, Spanish National Architecture Award Important Projects 1989-1992: Alamillo Bridge, Seville, Spain1991: Montjuic Communications Tower, at the 1992 Olympic site in Barcelona, Spain1996: City of Arts and Sciences, Valencia, Spain1998: Gare do Oriente Station, Lisbon, Portugal2001: Milwaukee Art Museum, Quadracci Pavilion, Milwaukee, Wisconsin2003: Ysios Wine Estate Laguardia, Spain2003: Tenerife Concert Hall in Santa Cruz, Tenerife, Canary Islands2004: Olympic Sports Complex, Athens, Greece2005: The Turning Torso, Malmà ¶, Sweden2009: Train Station, Lià ¨ge, Belgium2012: Margaret McDermott Bridge, Trinity River Corridor Bridges, Dallas, Texas2014: Innovation, Science and Technology (IST) Building, Lakeland, Florida2015: Museu do Amanh (The Museum of Tomorrow), Rio de Janeiro2016: World Trade Center Transportation Hub, New York City Career Highlights A renowned architect, engineer, and sculptor, Santiago Calatrava received an AIA commemorative gold medallion in 2012 as one of the 15 Architects of Healing for his transportation hub design, the new train and subway station at the World Trade Center site in New York City. Calling Calatravas work open and organic, the New York Times declared that the new terminal would evoke the kind of uplifting spirituality that is needed on Ground Zero. Santiago Calatrava is not without his critics. In the world of architecture, Calatrava is typecast as more of an arrogant engineer than a designer. The vision of his aesthetics is often not well-communicated, or perhaps is absent from his designs. More importantly, perhaps, is his well-known reputation of unsupervised workmanship and cost overruns. Many of his projects have ended up in various legal systems as expensive buildings seem to deteriorate quickly into disrepair. It is hard to find a Calatrava project that has not been significantly over budget, reports The New York Times. And complaints abound that he is indifferent to the needs of his clients. Rightfully or not, Calatrava has been placed in the starchitect category, with all of its associated back-biting and egotism. Sources Santiago Calatrava Official Site Santiago Calatrava (unofficial web site)Santiago Calatrava: The Worlds Most Hated Architect? by Karrie Jacobs, Fast Company Design, December 18, 2014Santiago Calatrava, from the Canary Islands to Manhattan Island by Fred A. Bernstein, published in The New York Times, October 26, 2003Its the Architecture, Not The Architect, Im Rooting For by Fred A. Bernstein, published in Architectural Record, December 2013Santiago Calatrava The Bridges by Alexander Tzonis and Rebeca Caso Donadei, 2005Santiago Calatrava: Complete Works, Expanded Edition by Alexander Tzonis, Rizzoli, 2007Transit Hub Design May Be Simplified Analysis of plans for reconstruction in New York City, from the New York Times. A Star Architect Leaves Some Clients Fuming by Suzanne Daley, The New York Times, September 24, 2013